![]() ![]() After a full understanding of what he would be subjected to, high winds, water splashing on him, makeup on the face, and so on, he then went to wardrobe for a fitting and then to the makeup department so a preliminary mask could be made for the facial features. On July 8, 1963, Nick Cravat visited the Cayuga office to discuss the role he would play in this episode. With additional costs involved, the exterior of the airliner cost a total of $4,800. Three extra special effects men were required to operate the machine and the gremlin’s wires, costing a total of $716 in employment costs. An eight-blade Ritter wind machine, the same kind used for the Twilight Zone episode “The 7th is Made Up of Phantoms,” cost Cayuga $180 in rental fees. The exterior airline set cost $1,650, while full-size effects set construction cost $1,441. The transport of the plane wing from Douglas Aircraft in Santa Monica to M-G-M Studios was $435. Trivia, etc. The wing section was secured by M-G-M from a plane that was being taken out of service. for happily, tangible manifestation is very often left as evidence of trespass, even from so intangible a quarter. Happily, his conviction will not remain isolated too much longer. Wilson has that fear no longer, though, for the moment, he is, as he said, alone in this assurance. A flight not only from point A to point B, but also from the fear of recurring mental breakdown. but content with the knowledge that he will soon be released when the inspectors find evidence that proves the engine plate was tampered with. Back on the ground, Robert is taken away in a straitjacket. Tightening his seat belt, he opens the emergency glass and amongst the chaos and screams of the passengers, Robert manages to shoot the gremlin off the wing. Minutes later, after his wife and everyone else on board falls asleep, he spits out the pill and sneaks down the aisle to secure a gun from an armed officer. Robert insists he is not having another nervous breakdown, but his wife gives him a pill to ease his nerves, hoping he will sleep peacefully until the plane lands safely. ![]() Robert’s problem grows when he realizes that it wasn’t a man outside – but a gremlin – and witnesses the creature tampering with one of the plane’s engines. Regardless of the warnings, neither his wife, the stewardess or the copilot believe him. Flying through a storm, Robert suddenly notices what appears to be a man on the wing of the aircraft. Plot: Robert Wilson, accompanied by his wife, Ruth, is flying back home one evening, having been released from a sanitarium for a severe case of nerves. Wilson’s plan – happens to be in the darkest corner. Tonight, he’s traveling all the way to his appointed destination – which, contrary to Mr. Wilson’s flight was terminated by the onslaught of his mental breakdown. the difference being that, on that evening half a year ago, Mr. on an airliner very much like the one in which Mr. Wilson has just been discharged from a sanitarium where he spent the last six months recovering from a nervous breakdown, the onset of which took place on an evening not dissimilar to this one. Robert Wilson, thirty-seven, husband, father, and salesman on sick leave. ![]() Stock Music Cues: Etrange #3 (by Marius Constant, :09) Milieu #2 (by Constant, :21) Onslaught (by Fred Steiner, :35) The Station (by Bernard Herrmann, :07 and :07) Struggle (by Steiner, :36) Moat Farm Murder (by Herrmann, :31) Goodbye Keith (by William Lava, :06) Moat Farm Murder (by Herrmann, :04) Second Vision (by Steiner, :21) Puzzles (by Steiner, :46) Forboding Preamble (by Lyn Murray, :11) Moat Farm Murder (by Herrmann, :16) Struggle (by Steiner, :36) Goodbye Keith (by Lava, :06) The Sun (by Herrmann, 1:04) Moat Farm Murder (by Herrmann, :21 and :32) The Station (by Herrmann, :47) Dead Phones (by Steiner, :18) Moat Farm Murder (by Herrmann, :29 and :19) Ford’s Theater (by Jerry Goldsmith, :17) Moat Farm Murder (by Herrmann, :16) Goodbye Keith (by Lava, :06) Dirge (by Goldsmith, :14) Now We Move (by Nathan Van Cleave, :17) A Story #1 (by Constant, :03) Magdalena Curtain (by Murray, :05) and Milieu #2 (by Constant, arr. ![]()
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