![]() ![]() => Dorico doesn't differ between the keys the instruments are in as far as playback is concerned. > Trumpets load C, Bb, C I'd prefer C, C, Bb Which playback template did you apply to get the result you have described? => Horn 1 and 3 load the triple horn, horn 2 and 4 load the Viennese horn. > Horn 1+2 loads the Vienna horn, 3+4 loads the triple horn. The expression maps doesn't have to be changed. For the Clarinet in Eb, please load the Clarinet in Eb preset manually. Unfortunately Dorico doesn't differ between the keys the instruments are in as far as playback is concerned. > Instrument Eb clarinet loads a Bb clarinet patch. > Flute 2+ loads with CC11 set significantly lower than 127. If you want to, you can make your own playback templates with Vienna Ensemble (Pro) and our expression maps. That's why we have decided to go with Synchron Player without Vienna Ensemble (Pro). So these users would get an error message about the missing plugin. Furthermore not all users have Vienna Ensemble installed. This would have the drawback that some instruments would be loaded even though they are not included in the score. We thought about using Vienna Ensemble or VE Pro too in the playback templates. Here are the answers to the things you have brought up. No solo double bass, but it loaded with only player 1 enabled. What's loaded is Dimension violin 1 player 1 for the solo - I would have expected Solo Strings violin 1+ - and then both section violins load with group 1 enabled, rather than the full ensemble. This score has solo violin/viola/cello, but no divisi (so far). Strings: some odd things here, thanks to Dimension Strings. Trumpets load C, Bb, C I'd prefer C, C, Bb Horn 1+2 loads the Vienna horn, 3+4 loads the triple horn. Instrument Eb clarinet loads a Bb clarinet patch. (Incidentally, currently my own maps use both cc2 and cc11 instead of velocity+cc.) I've noticed a few things so far:įlute 2+ loads with CC11 set significantly lower than 127. I'm just working through the VST list with a current project. Of course there is no problem with assigning the new maps to the appropriate instrument, but would I be right in thinking that it isn't practical to auto-load ensemble instances? One immediate thought is that I was a bit surprised to see, in Dorico's video, a great long list of individual VSTs for each instrument, because I'm accustomed to using Ensemble Pro. ![]() Really great to see these arrive, thanks! ![]() On the Synchronized orchestra vol 1 and 2, I've found some odd dynamics with my own pieces (compared to my own maps) but there are various possible reasons for that and I'm now off to listen to your demo tracks - thanks for making the scores available which will be very helpful. Articulations (marked with symbols) work differently as I'm sure you know. Obviously pizz comes into this category, as does detache. Of course the corresponding p.t's would also need to be generated which is a few more! Incidentally, when in con sord mode, any p.t when cancelled must have the con sord reapplied as ord specifically exits mute mode (A0). In fact, it's puzzling why you didn't simply include additional odd-ons for all the player divisions as that's just a few minutes work and seems to work flawlessly. With the Dimension strings, perhaps because I first created my own maps before Dorico 3.5, I missed your trick of using a con sord as an add-on which actually simplifies things rather. I welcome these templates as well and am enjoying studying the Expression Maps. ![]()
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